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"we can only do what it seems to us we were made for, look at this world with a happy eye but from a sober perspective.”

-W.H. Auden

Wunderkammer

May 28
May 28 Guilt and Fla-Vor-Ice Pops

Andy Seifert

Andy Seifert reviews Passion Pit's rambunctious and gloomy album, Manners.

May 26
May 26 Domestic Dysfunction

Sarah Winter

An in-depth look at the Litvinoff family in The Believers, Zöe Heller's new novel.

May 21
May 21 No Limits, No Control

J.M. Harper

An assassin film unlike any you’ve ever seen.

May 19
May 19 What’s In A Name?

Grant Lawrence

A review of Justin Townes Earle's Midnight at the Movies.

May 19
May 19 Age is a Body

Chris Schlegel

Robert Creeley's On Earth: Last Poems and an Essay is reviewed.

May 13
May 13 Canadian Exports

Bill Orton

A seventh grade report on Patrick Watson’s new album, Wooden Arms—well, sort of.

May 12
May 12 The Mundane Ghost Story

Kevin Armento

Tribeca's hottest film, The Eclipse, is reviewed.

May 11
May 11 A Land for the Nameless

Erick Sierra

Judaism and identity in Chandler Burr’s You or Someone Like You.

May 7
May 7 Updike's Farewell

David Michael

Endpoint, John Updike's posthumously-released book of poems is reviewed.

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Wunderkammer takes its name from the eclectic, encyclopedic collections–cabinets of curiosities–assembled by Renaissance nobles which inspired both awe and a sense of wonder for the world. 

 
 

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